In their article, Judith Crane and Ronald Sandler analyse Lawrence Johnson’s argument on Homo sapiens.

In this article Marianne O’Brien considers and reflects upon the aesthetic significance of Simon Hailwood’s conception of nature as articulated in an earlier volume of this journal in his paper ‘The Value of Nature’s Otherness’ (Hailwood 2000: 353–72).

This essay discusses ways of thinking about botanic gardens that pay close attention to their particularity as designed spaces, dependent on technique, that nonetheless purport to present (and preserve) natural entities (plants).

Using a case of mad cow disease in the United States, this paper argues, statements of risk are ultimately social products that come to us by way of translation.