Everyday Futures: Australia in the Age of Humans
The project Everyday Futures explores the role museums can play in helping to make sense of Australia’s experiences during a time of rapid planetary change and global disruption.
The project Everyday Futures explores the role museums can play in helping to make sense of Australia’s experiences during a time of rapid planetary change and global disruption.
The authors base this critique of the North American Model of Wildlife Conservation (NAMWC) on its narrow stakeholder focus and limited ideological representation.
The authors explore the implementation of Traditional Ecological Knowledge (TEK) and Indigenous knowledge (IK) in mapping efforts, taking cues from previous spatio-temporal visualization work in the Geographic(al) Information System(s)/Science(s) GIS community, and from temporal depictions extant in existing cultural traditions.
Through a quantitative questionnaire survey conducted in villages around the Nouabalé-Ndoki National Park in northern Congo, the authors assess local attitudes towards conservation and elephant conservation in particular.
The authors assess the governance of the Hin Nam No National Protected Area in central Laos to understand the possibilities of supporting fruitful collaborative governance of protected areas.
Douglas Sheil reviews the book Traditional Forest-Related Knowledge Sustaining Communities, Ecosystems and Biocultural Diversity by John A. Parrotta and Ronald L. Trosper.
Nuclear Humanities showcases interdisciplinary approaches to the problem of nuclear harm through a five-day workshop sponsored by Whitman College’s 2016 O’Donnell Endowed Chair in Global Studies.
Libby Robin compares two major museum exhibitions on climate change that rely heavily on the IPCC models: Uppdrag Klimat (Mission: Climate Earth), at the Royal Natural History Museum in Stockholm (Naturhistoriska Riksmuseet), Sweden; and EcoLogic, at the Powerhouse Museum, Sydney.
Libby Robin discusses animals in museums, and how taxidermy has changed from art in the service of science to the backbone of art itself, both in museums and beyond.
Libby Robin discusses the implication of Sir Colin MacKenzie’s initiative to collect Australian marsupials.