“Why have millions of readers and viewers become magnetized by the hitherto arcane field of plant communication? The article argues that the contemporary appeal of plant communication is rooted in a quest for alternative modes of being to neoliberalism, modes more accommodating of the coexistence of cooperation and competition in human and more-than-human communities.”

Excerpt from Woodland Imagery in Northern Art, c. 1500–1800 by Leopoldine van Hogendorp Prosperetti.

Old English Ecotheology by Courtney Barajas is a part of the series “Environmental Humanities in Pre-Modern Cultures,” published by Amsterdam University Press.

Making the Palace Machine Work: Mobilizing People, Objects, and Nature in the Qing Empire, edited by Martina Martina, Kai Jun Chen, and Dorothy Ko, is available to download in its entirety.