Vardy and Smith’s article for the Living Lexicon for the Environmental Humanities argues that “resilience signals the pernicious return of structural-functionalism precisely at the moment when much more nuanced, thoughtful, and critical attention should be given to the relationships and differences between and within human and nonhuman populations.”
J. Baird Callicott replies to Thomas Greaves’ rejoinder on Callicott’s previous article, “A NeoPresocratic Manifesto.”
Gremaud’s article analyses representations of nature as brand and resource in current Icelandic society, through an interdisciplinary approach involving cultural geography and visual methodologies.
Chrulew’s response to the Papal Encyclical Laudato si’ for the Special Commentary section discusses the appointment of Pope Francis in 2013, and particularly his call to shift from addressing only Catholics to caring for every living entity on Earth.
From an analysis of 1500 articles published from 2005 to 2013, Anshelm and Hansson distill four storylines representing geoengineering advocacy in the public discourse in mass media.
Lestel, Bussolini, and Chrulew present a bi-constructivist approach to the study of animal life, opposed to the realist-Cartesian paradigm in which most ethology operates.
Greg Garrard, Gary Handwerk, and Sabine Wilke, editors of the special section titled “Imagining Anew: Challenges of Representing the Anthropocene,” introduce this collection of essays from diverse humanities disciplines.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Tobias Boes examines the hermeneutic and poetic operations by which we as human beings turn our very planet into a signifier for our collective existence as a species, a process he refers to as “planetary mediation.”
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Thomas Lekan offers a postcolonial critique of recent environmentalist literature and exhibitions that frame the Anthropocene using the NASA Apollo mission’s Earthrise (1968) and Blue Marble (1972) photographs from space.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Alexa Weik von Mossner analyzes Dale Pendell’s speculative novel The Great Bay.
