"Tree Planting in Canterbury, New Zealand, 1850–1910"
This paper looks at early experimentation with tree planting in Canterbury and its encouragement, which predated attempts elsewhere in New Zealand.
This paper looks at early experimentation with tree planting in Canterbury and its encouragement, which predated attempts elsewhere in New Zealand.
Nalini Nadkarni explores the rich, vital world found in the tops of trees and communicates what she finds to non-scientists.
Wild Earth 11, no. 1, features stories about New England’s wilderness: primeval forests, the Northwoods, large mammals, old growth forests, as well as conservation history and biodiversity of the eastern United States.
This article looks at whether biocultural diversity be developed as a more totalising idea that is useful for historians.
The article discusses the role of native trees as representatives of national identity and belonging.
In this introduction to the special issue on Multispecies Studies, Thom van Dooren, Eben Kirksey, and Ursula Münster provide an overview of the emerging field of multispecies studies. Unsettling given notions of species, the article explores a broad terrain of possible modes of classifying, categorizing, and paying attention to the diverse ways of life that constitute worlds.
Sophie Chao delves into an unexplored dimension of the agribusiness nexus—the affective attachments of corporate actors to oil palm seeds. Drawing from fieldwork in an oil palm concession in Riau, Sumatra, she highlights the conflicting nature of caring for palm oil seeds.
Trees are also entangled with politics. In “An Otherworldly Species: Joshua Trees and the Conservation-Climate Dilemma” historian Thomas M. Lekan discusses what he considers a false choice between climate protection and conservation.
A book exploring the world of succulent collecting.
In this chapter from the virtual exhibition “Global Environments: A 360º Visual Journey,” Sarah Elizabeth Yoho’s 360° video captures the process of constructing a dry stone wall in Italy’s Cinque Terre. In cooperation with community organization Tu Quoque Vernazza, it was filmed over nine days and is shown in time-lapse. The camera captures the grapevine’s point of view of Cinque Terre life.