Burtynsky, Edward, "My Wish: Manufactured Landscapes and Green Education"
Edward Burtynsky’s photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.
Edward Burtynsky’s photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.
This film focuses on the causes of the decimation of honey bees and their hives around the globe, a phenomenon called “colony collapse disorder,” and its consequences for not only the economy but for humans’ very survival.
A visual essay on the physical sites we often don’t see (or don’t want to see).
The authors detail their experience of Puchuncavi, the largest, oldest, and most polluting industrial area in Chile. They approach it from a multidisciplinary viewpoint as an experience of the Anthropocene and advocate for an enhanced pedagogy of care born of our inherited pasts and of engagement, interest, and becoming as response-ability.
Triangulating narratives from a prospective mining site in northern Norway, Hugo Reinert works to identify (and render graspable) a particular effect of retroactive shock—tracing its resonance through experiences of chemical exposure, colonial racism, cultural erasure, and destruction of the built environment.
In this article, Sasha Litvintseva examines the history and materiality of asbestos to theorize toxic embodiment through the mutuality of the haptic sense and the breaching of boundaries of inside and outside. She develops this through an analysis of her own film project Asbestos (2016), shot at the mining town of Asbestos, Quebec.
In this selection of poems, Adam Dickinson focuses on the “outside” that is the “inside,” thereby drawing attention to the coextensive and intra-active nature of the body with its environment and the consequent implications for linking the human to the nonhuman and the personal to the global in environmental ethics.
Michael Marder interprets the “toxic flood” we are living or dying through as a global dump. On his reading, multiple levels of existence—from the psychic to the physiological, from the environmental-elemental to the planetary—are being converted into a dump, a massive and still growing hodgepodge of industrial and consumer by-products and emissions; shards of metaphysical ideas and theological dreams; radioactive materials; light, sound, and other modes of sensory pollution; pesticides and herbicides; and so forth.
In the afterword of a special section on toxic embodiment, Stacy Alaimo distills the collection’s argument for attending to the ways environments, human bodies, and nonhuman bodies are transformed by anthropogenic substances.
In this chapter of the German-language version of her virtual exhibition, “Mensch und Natur in der deutschen Literatur (Human-Nature Relations in German Literature),” Sabine Wilke shows how topics of pollution and waste in German-language writing reach back to the nineteenth century, when the production of industrial waste—and pollution of the air, ground, and water—first began to occur on a massive scale. For the English-language version of this exhibition, click here.