"Artists with Axes"
While their paintings and photographs sometimes helped to secure the protection of particular places, nineteenth-century artists often showed little respect for the environment when they set about securing their views.
While their paintings and photographs sometimes helped to secure the protection of particular places, nineteenth-century artists often showed little respect for the environment when they set about securing their views.
An introduction to the essays in this special issue, which provide new perspectives on local as well as state and international environmental politics, and their interactions.
This paper discusses changes in land and vegetation cover and natural resources of the Cape Verde Islands since their colonisation by the Portuguese around 1460.
Early European travellers were impressed by the trees and forests of the Owambo region, north Namibia. As they became better acquainted with the Owambo way of life, Europeans began to warn of deforestation in the region.
In Sweden, during the 20th century, a number of different groups or institutions have nominated themselves as being Nature’s representatives. This essay deals with the ideas, motives or reasons for nature conservation advanced by these groups.
Drawing upon archival documents, government reports and published accounts of agricultural scientists, this paper aims to document how officers of the Queensland Bureau of Sugar Experiment Stations and the Soil Conservation Branch of the Queensland Department of Agriculture and Stock (later Primary Industries) tried to develop soil conservation methods suited to land cropped with sugar cane.
Tasmania (formerly known as Van Diemen’s Land) received approximately 72,000 convicts, mainly from the British Isles and Ireland, between 1803 and 1853. This article focuses on the environmental experience of this unusual settler population, especially in the first decades of settlement.