Earth First! 28, no. 5
Earth First! 28, no. 5 looks at topics such as the legacies of race and colonialism, strategies for disrupting the Democratic and Republican National Conventions, and the shortcomings of “green” capitalism.
Earth First! 28, no. 5 looks at topics such as the legacies of race and colonialism, strategies for disrupting the Democratic and Republican National Conventions, and the shortcomings of “green” capitalism.
This essay discusses Biodiversity, the 1988 landmark collection of papers edited by American biologist E. O. Wilson, which established biodiversity as a popular scientific concept.
This film follows an Indian farmer whose situation becomes a microcosm of the conflict between Monsanto and rural people living in poverty in India.
This film gives voice to people affected by the development of the Belo Monte hydroelectric dam in the Brazilian Amazon, and details the devastating environmental and social consequences of the project.
Earth First! 28, no. 6 features news from the Round River Rendezvous in Ohio, from Climate Camp Australia, the West Coast Climate Convergence, the G8 protests, and the actions against the superhighway I-69.
Earth First! 30, no. 4 features a memorial on Judi Bari, and essays on militant feminism, multinationals in Chiapas rainforest, the Olympics in Vancouver, mining in Argentina, and green capitalism.
This film examines how farmers in Mali are resisting the loss of their land to corporate farming initiatives.
From the early exploits of Teddy Roosevelt in Africa to blockbuster films such as March of the Penguins, Gregg Mitman reveals how changing values, scientific developments, and new technologies have come to shape American encounters with wildlife on and off the big screen.
In this special issue on Multispecies Studies, Hugo Reinert places multispecies studies in conversation with the geological turn by examining the place of a particular sacrifice stone in the ambit of a coastal mining development in northern Norway.
Andrés León Araya reviews Jim Igoe’s The Nature of Spectacle: On Images, Money, and Conservation Capitalism.