"Nature Mastered by Man: Ideology and Water in the Soviet Union"
The vision of a new kind of society without private ownership, and thus profit interests, of natural resources had promised a utopia of man and nature in harmony. What went wrong?
The vision of a new kind of society without private ownership, and thus profit interests, of natural resources had promised a utopia of man and nature in harmony. What went wrong?
The issues discussed provide an interface between ‘green history’ and frameworks for sustainable development. An overview of groundwater exploitation is presented with case studies of low flows, the nitrate issue and salinisation of chalk aquifers.
This article examines in a historical perspective (1930–1970) the water conflicts that have occurred due to technological transformation in water lifting devices (viz.: electric and oil-engine pumpsets) in the agricultural sector in the old Kalingarayan channel and new Lower Bhavani Project canal of the Bhavani River Basin in Tamil Nadu.
In this article Disco describes the repertoires developed by the municipal waterworks of two large Dutch cities, Amsterdam and Rotterdam. Two main repertoires are visible: 1) ‘coping’ by means of technical fixes and vigilance and 2) ‘transnational technopolitics’ aimed at institutionalising regulatory regimes to curb pollution.
This fourth issue continues the journal’s exploration of the scientific paradigms of global environmental history.
A nuanced treatment of the relation between peasant protests and environment with reference to a broad range of examples from Mediterranean Europe, Latin America, Asia, and Africa.
A report on the activities and debates at the fifth World Water Forum held at Istanbul in March 2009.
This political biography of Wayne Aspinall is an insightful account of the political, financial, and personal variables that affect the course by which water resource legislation is conceived, supported, and implemented—a book that is essential to understanding the history and future of water in the West.
This film investigates the increasing trend towards privatizing control of water resources, and the response of cities, organizations, municipalities, and communities.
This award-winning film examines the lives of 5000 people from 42 riverside communities a year after they have been displaced by the construction of the Irapé Dam and hydroelectric power plant in Brazil.