Nothing Like Chocolate
This film follows the founder of a grassroots chocolate cooperative in Grenada. It reveals the benefits of a cooperative model in an industry marred by corporate greed, trafficking, and slavery.
This film follows the founder of a grassroots chocolate cooperative in Grenada. It reveals the benefits of a cooperative model in an industry marred by corporate greed, trafficking, and slavery.
This film follows the old farming community of Périgord, a region in southwest France, as it tries to navigate its future in the modern world.
Trim’s article focuses on “countercultural environmentalists” and an alternative development program in Prince Edward Island, Canada. The project’s history raises questions about the consequences of treating environmental issues as technical problems to be solved with innovation and new technology. This approach both depoliticizes environmental issues and embeds them into new political structures.
In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Bruno Latour explores the political import of the notion of “ecomodernism.”
In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Rosemary-Claire Collard, Jessica Dempsey, and Juanita Sundberg critique the manifesto as fostering amnesia: amnesia about the uneven and violent nature of modernization as well as about the struggles that have underpinned efforts to alleviate inequality and violence.
In this special commentary section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Clive Hamilton examines Erle Ellis’ ‘good Anthropocene,’ an unlikely juxtaposition which has now been amplified into the idea of the “great Anthropocene” and set out in An Ecomodernist Manifesto.
In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Bronislaw Szerszynski examines ecomodernism through the metaphor of “conscious uncoupling,” suggested in an essay by Habib Sadeghi and Sherry Sami.