Micheal Richardson investigates the impact of envisioning climate catastrophe in three works, namely George Miller’s film Mad Max: Fury Road (2015), Marina Zurkow’s animation Slurb (2009), and Briohny Doyle’s novel The Island Will Sink (2016).
This article focuses on contemporary literary and musical interpretations of changing relationships between humans and the environment in Mongolia. The author explores how these works relate to deep time, and crosshatches biographical, mythological, and geologic understandings of time.
An essay review of books by Arun Agrawal, Peder Anker, David Arnold, Gregory A. Barton, Richard Drayton, and S. Ravi. Rajan.
The work of John Charles Fremont, Richard Byrd, Charlotte Perkins Gilman, John Wesley Powell, Susan Cooper, Rachel Carson, and Loren Eiseley represents a widely divergent body of writing. Michael A. Bryson provides a thoughtful examination of these authors, their work, and the ways in which science and nature unite them.
The second volume of Robbins’s environmental history of Oregon.
The book explores the cultural and religious significance of James Cameron’s film Avatar (2010).
Carsten Helm and Udo Simonis develop a proposal for distributing common resources with regard to international climate policy, based on widely accepted equity criteria.
Martin Mulligan explores the Australian conservation movement, arguing that future conservation strategies need to tackle “frontier mentality” and a heavy reliance on scientific rationale. He suggests learning from the Australian Aborigines and non-rational approaches to nature conservation.
In this article, Hub Zwart discusses the emergence of a cultivated landscape in the Netherlands.
The paper discusses some relationships between aesthetic and non-aesthetic reasons for valuing rural landscape, i.e., landscape shaped by predominantly non-aesthetic purposes.
