Brady, Emily, "Don't Eat the Daisies: Disinteredness and the Situated Aesthetic"
Emily Brady puts forward a model of aesthetic appreciation based on disinterestedness, as an alternative to what she calls the hedonistic model..
Emily Brady puts forward a model of aesthetic appreciation based on disinterestedness, as an alternative to what she calls the hedonistic model..
In this paper, David E. W. Fenner explores some parallels and dissimilarities between aesthetic appreciation that takes as its focus art objects and that which focuses on natural objects.
In this paper, Helena Siipi explores some parallels and dissimilarities between aesthetic appreciation that takes as its focus art objects and that which focuses on natural objects.
This paper aims to introduce the German Romantic poet Novalis into the discussion of the modern ecological crisis.
Hub Zwart presents an environmental analysis of Henrik Ibsen’s A Public Enemy.
In this article Marianne O’Brien considers and reflects upon the aesthetic significance of Simon Hailwood’s conception of nature as articulated in an earlier volume of this journal in his paper ‘The Value of Nature’s Otherness’ (Hailwood 2000: 353–72).
This book documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns.
Linda Weintraub introduces eco-art strategies, genres, issues, and, approaches.
ASLE seeks to inspire and promote intellectual work in the environmental humanities and arts, especially ecocriticism.
Benelux Association for the Study of Art, Culture, and the Environment (BASCE) is an interdisciplinary tri-national platform through which all those who are interested in the relation between art, culture, and environmental issues in Belgium, the Netherlands and Luxemburg can be informed about the latest national and international developments.