"Ecological Community, the Sense of the World, and Senseless Extinction"
Mick Smith examines how a posthumanist notion of ecological community might attempt to address questions concerning extinction.
Mick Smith examines how a posthumanist notion of ecological community might attempt to address questions concerning extinction.
What does the possibility of an early end to human existence as part of a more general biotic extinction mean for the latter day writing of history?
The author attempts to reframe the classical distinction in conservation biology between native and invasive species by referring to migration and settlement of nonhuman beings as diasporas. She uses the introduction of Canadian beavers in Chilean Tierra del Fuego in 1947 as a case study.
Petra Tjitske Kalshoven combines ethnographic studies with ornithological testimonies to present the re-creation and reenactment of the extinct great auk, or garefowl. The author aims to achieve contiguity with lost species through expressions and shaping of human perceptions and imaginations of past, and eventually future, environmental disasters.
Looking at Leanne Allison and Jeremy Mendes’s interactive documentary Bear 71 (2012), Katey Castellano shows how the environmental humanities can be employed to rearticulate scientific data as innovative multispecies stories.
The article explores the opposing practices and philosophies between the Sámi people and state policymakers in northern Norway in terms of the human-environment relationship with a particular focus on language translation issues.
João Afonso Baptista uses an ethnographic approach to analyze ecological knowledge in Angolan forests as shaped by local dwellers and represented by (neo)colonial processes of distinction and separation, namely the external knower and the object known.
With a focus on global cancer epidemics, Nina Lykke discusses biopolitics in the Anthropocene against the background of a notion of dual governmentality, implying that efforts to make populations live and tendencies to let them die are intertwined.
In this article, Sasha Litvintseva examines the history and materiality of asbestos to theorize toxic embodiment through the mutuality of the haptic sense and the breaching of boundaries of inside and outside. She develops this through an analysis of her own film project Asbestos (2016), shot at the mining town of Asbestos, Quebec.
In a special section entitled “Living Lexicon for the Environmental Humanities,” Sara J. Grossman reflects on the definition of disability and disabled communities within environmental humanities.