Wiebo's War
This film follows a Christian community and its leader as they resist the oil and gas industry and its plans for expansion into their land.
This film follows a Christian community and its leader as they resist the oil and gas industry and its plans for expansion into their land.
Sudeep Jana Thing, Roy Jones, and Christina Birdsall Jones investigate the recent participatory turn in nature conservation policy and practices through an ethnographic investigation of the experiences of the marginalised Sonaha (indigenous people of the Bardia region) in relation to the conservation discourses, policies, and practices of the Bardia National Park authorities in the Nepalese lowland.
Catrina A. MacKenzie, Rebecca K. Fuda, Sadie Jane Ryan, and Joel Hartter use interviews and focus group discussions to assess the interaction of oil exploration with the three primary conservation policies employed by the Uganda Wildlife Authority: protectionism, neoliberal capital accumulation, and community-based conservation.
In this Special Section on the Green Economy in the South, Stasja Koot and Walter van Beek argue that a Community Based Natural Resource Management (CBNRM) program in the Nyae Nyae Conservancy in Namibia, with a strong focus on tourism, has dominated and changed the environment of the Ju/’hoansi Bushmen.
Zhen Wang’s photo essay explores in detail how nearly 40 years of urbanization and rapid economic development have transformed the past, present, and future of the Yi population and of China’s rural and cultural landscapes.
The authors explore the case of a Privately Protected Area (PPA) in Chilean Patagonia to learn its impact on local residents. Based on in-depth, semi-structured interviews, they find that the park has been detrimental to local livelihoods, has disrupted systems of production, and has elicited a negative emotional response.
In this chapter from the virtual exhibition “Global Environments: A 360º Visual Journey,” Sarah Elizabeth Yoho’s 360° video captures the process of constructing a dry stone wall in Italy’s Cinque Terre. In cooperation with community organization Tu Quoque Vernazza, it was filmed over nine days and is shown in time-lapse. The camera captures the grapevine’s point of view of Cinque Terre life.