"SAD in the Anthropocene: Brenda Hillman’s Ecopoetics of Affect"
Laurel Peacock on Brenda Hillman’s ecopoetic practice and how we can shift our understanding of our affective relationship to the environment.
Laurel Peacock on Brenda Hillman’s ecopoetic practice and how we can shift our understanding of our affective relationship to the environment.
Christopher Williams discusses the personal, social and cash costs of environmental victimization, using psycho-social literature and brief case studies of intellectual disability, road transport, and cross-border pollution.
This paper compares the heuristic potential of three metaphorical paired concepts used in the relevant literature to characterise global relationships between the anthroposphere and the ecosphere.
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Alexa Weik von Mossner analyzes Dale Pendell’s speculative novel The Great Bay.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Wolfgang Struck’s essay examines the renewed attraction to the medium of the atlas in light of representational challenges raised by the model of the Anthropocene.
Contributing authors examine what happens when we cease to assume that only humans exert agency, by considering animals and vegetables as agents rather than mere objects.
Drawing on Continental theory and various cultural objects, On an Ungrounded Earth constructs an eclectic geosophy describing Earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet.
Excerpt from RCC fellow Jemma Deer’s monograph Radical Animism: Reading for the End of the World.
In this episode of ASLE’s official podcast, Jemma Deer and Brandon Galm interviews Una Chaudhuri on the topic of eco-theatre.