An Inconvenient Truth
An Inconvenient Truth is a passionate and inspirational look at former Vice President Al Gore’s fervent crusade to halt global warming’s deadly progress by exposing the myths and misconceptions that surround it.
An Inconvenient Truth is a passionate and inspirational look at former Vice President Al Gore’s fervent crusade to halt global warming’s deadly progress by exposing the myths and misconceptions that surround it.
The aim of the paper is to present a summary of the current scholarship on the climate of the Carpathian Basin in the Middle Ages by drawing upon research from the natural sciences, archaeology and history.
Inspired by courses they’ve developed at Stanford, Mike Osborne and Miles Traer created the Generation Anthropocene podcast, a volunteer-based audio show featuring thought leaders.
The comic The Great Transformation. Climate - Can We Beat the Heat? illustrates the 2011 report by the German Advisory Council on Global Change (WBGU). In nine episodes, WBGU members take on the role of comic heroes to explain the Great Transformation towards a climate-friendly, sustainable society.
This comic The Urban Planet: How Cities Save Our Future condenses into an illustrated story the fundamental findings of Humanity on the Move: Unlocking the Transformative Power of Cities, a report published by the German Advisory Council on Global Change (WBGU).
“Understanding the human implications of climate change,” the tagline of the Weather Matters hub, reveals it as a space for conversation among scholars and stakeholders concerned about climate change.
The Climate History Network (CHN) is an organization of scholars who reconstruct past climate changes and, often, identify how those changes affected human history.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
Margret Grebowicz argues that James Balog’s Extreme Ice Survey (EIS), in particular the time-lapse films of glaciers receding, presents a unique example of what Guy Debord calls the ”tautological” nature of spectacle, its capacity to serve as its own evidence at the same time as it becomes a mode of relation among people.
Elizabeth Callaway analyzes scientific literature on climate change, specifically from the Intergovernmental Panel on Climate Change, to consider how scientific representations structure, articulate, and inform our experience of time.