Further Readings | Oceans in Three Paradoxes
Bibliography for the virtual exhibition Oceans in Three Paradoxes by Helen M. Rozwadowski.
Bibliography for the virtual exhibition Oceans in Three Paradoxes by Helen M. Rozwadowski.
While English satire magazines mocked vegetarianism since the 1840s, the first German caricatures appeared some 30 years later. Early drawings often imagined that a vegetarian would gradually transform into a plant. Other recurring topics are the assumed correlation between (meatless) nutrition and (peaceful, fragile) physical appearance and character, as well as the debate over whether a meat-rich or a meat-free diet was better for human health. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
In the nineteenth century, there was much debate about the question of which way of living could be regarded as “natural.” Caricatures on vegetarianism mock ideas of the “natural” relationship between animal and man, and draft utopian as well as dystopian visions of a vegetarian future. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
Since vegetarian societies began to spread and organize events in Germany, their missionary attitude and their supposed moral superiority have been ridiculed. Caricatures mocked the rigid rules of the vegetarians and their societies, accusing them of hypocrisy or of reinterpreting the self-imposed prohibitions according to their own needs and weaknesses. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
In the early phase of the vegetarian movement, satirists playfully imagined how this diet and worldview affected different aspects of culture. Other cartoons make fun of the fact that vegetarianism quickly became a trend that was seen as sign of the Zeitgeist of the 1880s. Surprisingly, they overlooked the fact that vegetarianism was indeed intended as a sociocultural reform that could contribute to social and gender equality. This is from the German version of “Satirical Glimpses of the Cultural History of Vegetarianism.” For the English-language version of this exhibition, click here.
While English satire magazines mocked vegetarianism since the 1840s, the first German caricatures appeared some 30 years later. Early drawings often imagined that a vegetarian would gradually transform into a plant. Other recurring topics are the assumed correlation between (meatless) nutrition and (peaceful, fragile) physical appearance and character, as well as the debate over whether a meat-rich or a meat-free diet was better for human health.
In the early phase of the vegetarian movement, satirists playfully imagined how this diet and worldview affected different aspects of culture. Other cartoons make fun of the fact that vegetarianism quickly became a trend that was seen as sign of the Zeitgeist of the 1880s. Surprisingly, they overlooked the fact that vegetarianism was indeed intended as a sociocultural reform that could contribute to social and gender equality.
This chapter in the “Wilderness Babel” exhibition, written by Raymond Chipeniuk, shows that in many cultures the idea of wilderness has been borrowed from the English-speaking world.
With examples ranging form poetry to novels, literary scholar Hsu Hsuan presents a selection of literature on militarized landscapes. This is a chapter of the virtual exhibition “Representing Environmental Risk in the Landscapes of US Militarization.”
A chapter of the virtual exhibition “Beyond Doom and Gloom: An Exploration through Letters,” this letter presents a Jewish understanding of despair in relation to future adverse effects of climate change. The exhibition is curated by environmental educator Elin Kelsey.