Ecoartspace
Ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts.
Ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts.
The author argues that the uncritical acceptance of the idea “invasions” of introduced organisms are the “second greatest threat” to species extinction exemplifies confirmation bias in scientific advocacy.
The authors use ecological theory to understand the spread, establishment, and dominance of three introduced organisms in New Zealand after episodes of natural and artificial environmental disturbance create opportunities for them to thrive.
Fei Sheng traces the development of environmental non-government organizations (ENGOs) in China, and describes the challenges they face in the political and cultural spheres.
This article examines the environmental impacts of Cantonese gold-miners in New Zealand and situates its research in both Chinese environmental history and comparative global environmental history.
The author examines the role of plantation forestry through the shift within the New Zealand State Forest Service from an orthodox state forestry model to one favoring large-scale exotic plantations.
The author examines the advent of native forest conservation in New Zealand’s Colony and the role of Thomas Potts in advocating exotic tree-planting as a response to timber shortage.
Digital Environmental Humanities is a portal that explores how new digital technologies might be better used to showcase environmental humanities research.
Hugo Reinert uses the highly endangered Lesser White-fronted Goose to develop an argument about a certain “biopolitics of the wild”—a particular mode of governing nonhuman life, rooted in certain conditions of visibility and engagement.
William Major examines the need to understand pacifism and environmentalism as essentially consonant philosophies and practices.