"Wonders with the Sea: Rachel Carson’s Ecological Aesthetic and the Mid-Century Reader"
Hagood looks at Rachel Carson’s earlier popular publications on the natural history of the oceans and their impact on Silent Spring (1962).
Hagood looks at Rachel Carson’s earlier popular publications on the natural history of the oceans and their impact on Silent Spring (1962).
Walker focuses on uncertainty as a boundary device that shapes scientific ethos in crucial ways and negotiates a relationship between technical science and public deliberation.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
Finn Arne Jørgensen brings Wolfgang Schivelbusch’s analysis of the relationship between technology, media, and the perception of landscape into the digital age as a way of examining the spatiality of digital media and the natural world.
Greear examines the contemporary trend toward de-industrialized and decentralized production and its implications for ecological sustainability. He suggests we can understand the potential positive ecological implications of such trends by reconceptualizing “incomplete information” in markets, which is often understood as a key way in which markets fail to solve or forestall environmental problems.
In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Eileen Crist considers the Manifesto’s point as view as one of humanism and freedom.
In this Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, Leah V. Aronowsky uses the history of an unrealized technology, the bioregenerative life-support system, to rethink conventional accounts of American spaceflight that cast the space cabin as the ultimate expression of humans’ capacity to technologically master their environments.
In this Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, Istvan Praet focuses on the ultraviolet spectrum to examine how astrobiologists look at celestial bodies, planetary atmospheres, the skin, and the eye. He offers a reflection on how outer space can be apprehended from a humanities perspective.
In this Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, Salazar explores world-making processes through which extreme frontiers of life are made habitable, arguing that microbial worlds are becoming part of worlding processes and projects that further these frontiers.
In this Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, David Dunér scrutinizes the underlying suppositions involved in the search for extraterrestrial intelligence (SETI) research, particularly the last three factors of the Drake equation.