"On the Poverty of Our Nomenclature"
Eileen Crist critiques the recent proposal to name our current geological epoch “the Anthropocene.”
Eileen Crist critiques the recent proposal to name our current geological epoch “the Anthropocene.”
In this article for a special section on “Inheriting the Ecological Legacies of Settler Colonialism,” Lesley Instone and Affrica Taylor engage with the figure of the Anthropocene as the impetus for rethinking the messy environmental legacies of Australian settler colonialism.
In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Bruno Latour explores the political import of the notion of “ecomodernism.”
In this Special Commentary Section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Rosemary-Claire Collard, Jessica Dempsey, and Juanita Sundberg critique the manifesto as fostering amnesia: amnesia about the uneven and violent nature of modernization as well as about the struggles that have underpinned efforts to alleviate inequality and violence.
In this special commentary section titled “Replies to An Ecomodernist Manifesto,” edited by Eileen Crist and Thom Van Dooren, Clive Hamilton examines Erle Ellis’ ‘good Anthropocene,’ an unlikely juxtaposition which has now been amplified into the idea of the “great Anthropocene” and set out in An Ecomodernist Manifesto.
In this special issue on Multispecies Studies, Hugo Reinert places multispecies studies in conversation with the geological turn by examining the place of a particular sacrifice stone in the ambit of a coastal mining development in northern Norway.
Timothy Hodgetts’s article for the Living Lexicon for the Environmental Humanities explores connectivity as a placeholder that seeks to capture multiple forms of multispecies mobility, using the eastern gray squirrel in English landscapes as an example.
Justine Parkin’s article for the Living Lexicon for the Environmental Humanities explores the concept of fecundity and interspecies relations.
Triangulating narratives from a prospective mining site in northern Norway, Hugo Reinert works to identify (and render graspable) a particular effect of retroactive shock—tracing its resonance through experiences of chemical exposure, colonial racism, cultural erasure, and destruction of the built environment.
In this article, Sasha Litvintseva examines the history and materiality of asbestos to theorize toxic embodiment through the mutuality of the haptic sense and the breaching of boundaries of inside and outside. She develops this through an analysis of her own film project Asbestos (2016), shot at the mining town of Asbestos, Quebec.