"The Affective Legacy of Silent Spring"
Alex Lockwood tries to measure the importance of Rachel Carson’s work in its affective influence on contemporary environmental writing across the humanities.
Alex Lockwood tries to measure the importance of Rachel Carson’s work in its affective influence on contemporary environmental writing across the humanities.
Gordon M. Sayre explores the metaphor of a species as a book, represented in the Alexandrian library. He argues that this obscures the fact that the Alexandrian library consisted of manuscripts, not print books and that, in essence, species may be more like manuscripts than books after all.
Stefan Helmreich’s foreword to a Special Section on Familiarizing the Extraterrestrial / Making Our Planet Alien, edited by Istvan Praet and Juan Francisco Salazar, concludes that the anthropology of outer space these days is a machine for chaotic and cosmic travel, chrono-synclastic infundibulation, and analogical involution, a wrinkle in the discipline and its companion fields that changes what can count as both the “environment” and the “humanities.”
In this introduction to their Special Section “Familiarizing the Extraterrestrial / Making Our Planet Alien,” editors Istvan Praet and Juan Francisco Salazar discuss the growing research on the wider universe and how it is apprehended by modern cosmology, and how the extraterrestrial has become part of the remit of anthropologists, philosophers, historians, geographers, scholars in science and technology studies, and artistic researchers, among others.
Examining three natural protected areas in Ecuador and Spain, Cortes-Vazquez and Ruiz-Ballesteros offer a more nuanced understanding of the connection between different regulatory regimes and the formation of environmental subjects, using a phenomenological approach that places more emphasis on the agency of the people subjected to conservation.
The authors develop “composting” as a metaphor for their two main arguments: that certain feminist concepts and commitments are foundational to the environmental humanities, and that more inclusive feminist composting is necessary for the future of the field.
In this selection of poems, Adam Dickinson focuses on the “outside” that is the “inside,” thereby drawing attention to the coextensive and intra-active nature of the body with its environment and the consequent implications for linking the human to the nonhuman and the personal to the global in environmental ethics.
Michael Marder interprets the “toxic flood” we are living or dying through as a global dump. On his reading, multiple levels of existence—from the psychic to the physiological, from the environmental-elemental to the planetary—are being converted into a dump, a massive and still growing hodgepodge of industrial and consumer by-products and emissions; shards of metaphysical ideas and theological dreams; radioactive materials; light, sound, and other modes of sensory pollution; pesticides and herbicides; and so forth.