"What Is the Terroir of Synthetic Yeast?"
Erika Amethyst Szymanski investigates the impact of synthetic yeast, which is gaining ground in a variety of foodscapes, and reflects upon the meaning of Terroir that synthetic yeast brings about.
Erika Amethyst Szymanski investigates the impact of synthetic yeast, which is gaining ground in a variety of foodscapes, and reflects upon the meaning of Terroir that synthetic yeast brings about.
Petra Tjitske Kalshoven combines ethnographic studies with ornithological testimonies to present the re-creation and reenactment of the extinct great auk, or garefowl. The author aims to achieve contiguity with lost species through expressions and shaping of human perceptions and imaginations of past, and eventually future, environmental disasters.
The authors detail their experience of Puchuncavi, the largest, oldest, and most polluting industrial area in Chile. They approach it from a multidisciplinary viewpoint as an experience of the Anthropocene and advocate for an enhanced pedagogy of care born of our inherited pasts and of engagement, interest, and becoming as response-ability.
The authors introduce a special section of Environmental Humanities on manifestations of deep time through places, objects, and practices, focusing on three modes through which it is encountered: enchantment, violence, and haunting.
Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.
This article focuses on contemporary literary and musical interpretations of changing relationships between humans and the environment in Mongolia. The author explores how these works relate to deep time, and crosshatches biographical, mythological, and geologic understandings of time.
The authors put forward the idea of “speculative geology” to explain the violence inherent in volcanism, drawing on three volcanic episodes and the more recent unexpected striking of magma in Iceland’s Krafla volcanic caldera.
Jonathan Woolley borrows the folkloristic, East Anglia figure of Black Shuck, a devilish hound, and connects it to a narrative of the Anthropocene based on the notions of inescapable mortality, deep time, and responsibility.
Stefan Skrimshire considers the ethical question of how to communicate with future human societies in terms of long-term disposal of radioactive fuel. He proposes that the confessional form (as propagated by Saint Augustine and critiqued by Derrida) may become increasingly pertinent to activists, artists, and faith communities making sense of humanity’s ethical commitments in deep time.
The article explores the opposing practices and philosophies between the Sámi people and state policymakers in northern Norway in terms of the human-environment relationship with a particular focus on language translation issues.