Surplus—Terrorized Into Being Consumers
Surplus—Terrorized Into Being Consumers is a film about the destructive side of consumer culture.
Surplus—Terrorized Into Being Consumers is a film about the destructive side of consumer culture.
This film examines a mine that acts as a microcosm for globalization; illegal and legal workers, local and foreign businessmen, and politicians all navigate the new alliances that modern Africa demands.
This film criticizes the socioeconomic system of the Washington Consensus as being insufficient for overcoming global poverty, and argues that it is based on centuries of exploitation.
This film examines how a Swiss village profits from a corporation’s majority stake in Zambia’s copper resources, while Zambia remains one of the twenty poorest countries in the world.
This award-winning film examines the experience of ordinary workers as it tracks a canned food product on its journey across the world.
This film follows a court case between Canadian mining companies and author Alain Deneault following his critique of industry practices.
This film captures the rise of China’s influence in Africa and in Zambia in particular, through the lives of three individuals: a Chinese entrepreneur, a project manager for a Chinese multinational and the Zambian Minister for Commerce, Trade and Industry.
This film follows the founder of a grassroots chocolate cooperative in Grenada. It reveals the benefits of a cooperative model in an industry marred by corporate greed, trafficking, and slavery.
This film explores the social dimensions of the illegal rhino horn trade in South Africa.
This film examines how farmers in Mali are resisting the loss of their land to corporate farming initiatives.