Burtynsky, Edward, "My Wish: Manufactured Landscapes and Green Education"
Edward Burtynsky’s photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.
Edward Burtynsky’s photographs, as beautiful as they are horrifying, capture views of the Earth altered by mankind.
Linda Weintraub introduces eco-art strategies, genres, issues, and, approaches.
Hornby draws attention to the work of Danish artist Olafur Eliasson, whose immersive installations aim to increase environmental awareness, arguing that Eliasson’s environments are fully orchestrated affairs that share the technologies and efforts of the twentieth and twenty-first centuries’ militarization of climate control.
Through readings of the works of artist/sculptor Ilana Halperin and poet Alice Oswald, David Farrier explores the idea of Anthropocene as marked by haunted time.
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Tobias Boes examines the hermeneutic and poetic operations by which we as human beings turn our very planet into a signifier for our collective existence as a species, a process he refers to as “planetary mediation.”
In the special section “Imagining Anew: Challenges of Representing the Anthropocene,” Wolfgang Struck’s essay examines the renewed attraction to the medium of the atlas in light of representational challenges raised by the model of the Anthropocene.
In this commentary, Stefan Helmreich considers how Hokusai’s famous woodblock print, The Great Wave, has recently been leveraged into commentaries upon the Anthropocene, and how the image has been adapted to speak to the contemporary human-generated global oceanic crisis.
Considering Caroline Wendling’s living artwork White Wood (2014) in northeast Scotland, the author examines the relationship between deep time, ecology, and enchantment.
In this episode from the New Books Network podcast, Anna L. Tsing is interviewed on her new project, Feral Atlas: The More-than-Human Anthropocene.
Profile for Feral Atlas, an interactive project curated by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena, and Feifei Zhou.